Kilyn Is Lead Builder at Old Blood Noise Endeavors. Below are a few photos of him in the process of creating the musical piece as well as a conceptual video component he and Brent produced.Read More
It might be important to note why this "Why I Like You" series needs to exist. It probably seems like it doesn't need to—Why would we need to start a discussion about why we like our own pedals? Well, after you've tested over 1,000 of the same pedal, using the same notes, turning the same knobs and only listening for correct functionality, it becomes easy to forget what that pedal can actually do or how it feels to create something with the sounds it can produce. That's why. Because we forget.
So, this week, Seth tasked me with re-exploring the Dark Star. This gloriously noisey yet soft spoken reverb, cable of fully washing out the instrument to create seamless notes. We champion it as a "pad-like" reverb, meaning it is easy to create swells and transition from different notes with little to no attack. Something that I've always wanted in guitar pedals, often resulting in stacking multiple reverbs and delays to fully wash away the attack of a note. In my mind, it is the sound of the opening track on Turn On The Bright Lights, Interpol's first record. Soft melodies buried in a wash of reverb, stacked on one another. So, that's how I use this pedal. To create a wall of washed out sounds, mostly from one, unassuming pedal. This is Why I Like You.
Mondegreen. When we first met last summer, I thought I knew who you were. You’re a delay pedal, right? So I say “bing,” and you say “bing” a little bit later? But I said “bing,” and you responded softly: b’ing. You made me think about perception, about time, about the little differences. The octaves were pretty, yes. The chorus I understood. But the tremolo. To put a tremolo on a delay trail seems like such a simple idea, but to really hear it is a different thing entirely. Two different rhythms playing with each other and with the player. Trying to do something in time, but not being sure whether to listen to the attack or to the rise and fall. So I kicked on a fuzz and gave into the idea that we can listen without counting. It’s a pleasure, Mondegreen, to learn something new from you.
Dan is the purchasing manager and screenprinting technician at Old Blood Noise Endeavors. Below you'll find the video component he produced show his process in real time.
Let's talk about Otis Amps for a minute. We met August, owner and leader of Otis Amps at Winter NAMM 2016. He had just started Otis and if I remember correctly, had just taken the leap of making Otis his fulltime thing. Which is a big and scary thing. Glad he did.
So here we are, out in California, and we're hosting this get together at our buddy Scott's Homebrew Shop in Costa Mesa, Windsor Homebrew Supply Co. We invited people to come and play pedals, make loops and drink beer. It was a good time and later became two episodes of the Coffee and Riffs series. But back to the point. Someone walked in, maybe Wade Beardtone, with this mobile piece of modern furniture. Turns out to be an Otis Amp with a 1x8 Speaker built in. Got thrown into the mix. Some people used it. Most people gawked at how pretty it was. So the next day we stopped by his booth, played the amps and have been sold on August ever since. He's got the brain and taste to make things sound great.
So we've kept in touch and we've gotten some of his amps. From time to time, you may notice them in the videos. This is because they sound great with pedals and are easy to take to location shoots. Plain and simple. Oh, and they look good. Real good.
About a year ago when we started doing OBNEAC and decided to do the Tape Club series, I thought it would be fun to couple a video element with each release. As the releases trickle out every few months, so do their videos. Each band comes by OBNEAC HQ and we capture a live audio / visual performance of both the A and B sides of their tapes. I really enjoy it, it's really fun to hear the different personalities that each song possesses and how that manifests in a studio or live atmosphere and vice versa. So here they are, look forward to many more.
The holidays are looming. You get some time off, maybe get to see the family and then you have to worry about Black Friday. Don't miss the deals. Be the first to have it. Get your shopping done early. Spend Spend Spend.
Too much money is spent and stress is created, not relieved. Which is why we've decided to not take part in the traditional Black Friday mess. Nothing going on here for Black Friday. Take a breath.
For an unrelated reason, we've got some special sale bundles on the website. Totally not Black Friday sale stuff. Just normal day after any other Thursday through the weekend website exclusive promotion.
Add any Shirt, Mug or OBNEAC Tape to your order from 11/24 to 11/28 and use coupon code BUNDLEFRIDAY to get that stuff for free. FREE. Geez.
And also, we've got a new thing. We're going to try some practical. Step out of the weird box and go... practical. Real practical. First up:
The OBNE Headphone Amp.
Plug your guitar into it. Plug your headphones into it. Listen without bothering a soul. Easy. Practical. $99. Into it?
So, if you buy a pedal AND a headphone amp from 11/24 to 11/28 and use coupon code UTILITYFRIDAY we'll knock off $25.
We chose a winner and the giveaway is done. Phew. All of that info is on the Instragram. Although stuff like this is fun, it can be a bit taxing to promote. So, we're done with this for awhile. Thanks to all of the rad companies that contributed. Back to normal programming.
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Ooops. Did it again. Haven't posted in awhile. Rule #1 of a blog: Don't sputter out. Always post. So. Sorry about that. But here's a good reason to start talking again.
To celebrate the release of the OBNE Mondegreen Delay, we partnered with other rad companies to compile a powerful pedalboard. All the weird you would need. And now we are going to give it away.
Introducing the PEDALBOARD of POWER giveaway. Because great power requires great responsibility.
Here's what we've got: A Temple Audio Trio 21, fully wired by Disaster Area Plugs and Powered by two Strymon Ojai supplies, featuring A Mantic Flex Pro, Caroline Guitar Co. Haymaker, Smallsound/Bigsound Team Awesome Fuzz Machine, Chase Bliss Audio Spectre, OId Blood Noise Endeavors Mondegreen, Alexander Pedals Space Xpander, Dwarfcraft Happiness and a TC Electronics Polytune Mini and Ditto Looper.
Here are the rules:
On your Instagram, repost and tag the companies and #boardofpower. That's it. That's what let's more people know about it. That's the point. To tell more people about these pedals. And someone gets them all along the way.
Winner drawn on 10/21. That's a Friday. Because Friday's are great so it will be someone's ultimate Friday.
Contest is open to the nations of the world. Worldwide. Everyone. In. The. World.
No freaking purchase necessary, of course. Just report and use that hashtag. Winner will be randomly selected from the hashtag #boardofpower.
The people to tag:
It's a lot right? But is it that much work if you're getting the chance to freely win NINE weird & sweet pedals, two power supplies and a fully wired pedal board? No, its not too much. Its not enough, probably.
Some Gimme Sixty videos to highlight what each of these noisemakers might be capable of:
[RECOMMEND PLAYING THEM ALL AT ONCE]
It happens sometimes. We get busy. Bogged down by the day in and day out of Old Blood, building pedals, answering emails, thinking about what's next, worrying about overhead and how to make everything work. Shooting videos, trying to play music, having families, growing old, all that jazz. And one thing that will always suffer when that happens is this blog. Or any blog. Because who knows who really reads this thing. Its more of an informative emotional dump that probably benefits us more than anyone else. So. Here's an update.
We've got some stuff in the pipeline. Some new pedals. It's been the longest break between releases that we've had since we started. Which is fine. I think we thrive in the crunch of a product release probably more than the day to day grind of building and selling, but we'll learn how to do this better too. Hopefully by Summer NAMM we'll be showing them off in one way or another. Oh, we're going to Summer NAMM and we'll have a booth. Even if its an empty booth with our pedals sitting in the middle of it, we'll be there.
OBNEAC (the psuedo tape release label thing comprised of Old Blood, Atria Creative and friends) has more releases in the queue. Just waiting on tapes to show up. Then we'll push them out the door. Should be finishing up recording session for Tape Release 004 tonight. And then scheduling the next recording sessions after that.
Summer will be busy. I'll be in and out of the office and the dudes will be running the place. Summer NAMM in late June and everybody will go out.
Some videos in the pipeline to put out. Some art collaborations in the works. We need to order new coffee mugs in a different color. Will probably do some different shirts in a couple of months.
That feels like the bulk of it. Watched Interstellar again and its been messing with me. I should have gone to flight school.
Old Blood Noise can be more than one thing. More than just a business making and selling a product. That stuff pays the bills, hopefully, but we left it as open as that. It could be anything. I guess that's where Endeavors comes from. Let's try and do what we feel pushed to do. By that thing crawling in our gut. That if we could spit it out, we'd feel a little more satisfied. A little bit purged. And then something would be made. Formed and shaped and released.
Most often this comes through partnership. Atria Creative, one of our longtime partners, has helped create and develop our video capacity over the last two years. We share a space. An old defunct recording studio in Norman, OK. And we have all of this recording gear sitting around. And we have song ideas. And an itch to play an instrument. And a longing to hear that song by that band that doesn't have a record out. So, I guess, let's just help them make it. We could try and capture the idea of that song in this moment.
Here. Let me not over explain. Old Blood Noise Endeavors makes pedals. Atria Creative makes videos and takes pictures. After we are done doing that, we collectively record music with bands and then put them out two songs at a time, because you should hear them. That's pretty much it.
obneac.com is a thing that is already happening. first up is a band called weak knees. a three piece of friends and coworkers making music. two songs. OBNEAC Tape Club Release 001.
Do you live in the LA area, or are you going out to NAMM? Perhaps Both? Maybe Neither? Well, we're having a party. If you can make it that would be rad. Our friend Scott Windsor of Windsor Homebrew Supply CO is graciously hosting an Old Blood Noise Endeavors Pop-Up Shop as well as a simultaneous Open-Call Coffee & Riffs taping. There will be coffee, beer, riffs and gear, so come chill. Thursday, Jaunuary 21, 2016 6:00pm-10:00pm (link Below for directions)
I'm not sure how I came across Sophie's work other than on the internet, but it was a great experience, i'm so glad she agreed to do a custom design for us. Below is a quick little interview, Check out WolfeSun on social media: @wolfesun See more of her work here: wolfesun.bigcartel.com
Hello Sophie. We really don't know much about you other than we thoroughly enjoy your art, so let's learn a little bit about you and the good work you do.
Firstly, where are you?
I am based in England, UK and I live in a little city called Hereford on the border of Wales.
How do you approach your craft?
I get an idea in my head, and then I just draw it...
What are some of the origins of the things you draw inspiration from?
All my inspiration comes from nature and mythology.
What's lead you to where you are now?
I’ve always enjoyed drawing, it keeps me content.
I've known Ross for a long time. It's fun that we finally got to do a project together (check out the custom shirt he did for us here). Ross is very involved and invested in the Oklahoma City punk contingency, curating several shows, art openings and even a music festival throughout the year in Oklahoma City. Keep an eye out for Ross' various musical and artistic endeavors, it's always fun to see what he cooks up.
"Ross. It's been a treat to finally get to work with you on a project. You helped Old Blood out a lot at the first of this year by graciously letting us into your art studio Tall Hill Creative when we were shooting our Procession video, that was a lot of fun. I've known you since I was 16 years old and you've been producing art, photography and music this entire time I've known you. Where would you say you draw the majority of your inspiration from?
I would say the root of my inspiration in visual art stems from my interest and involvement in the diy punk movement. I’ve been staring at album covers and fliers for a little over two decades. I was obsessed with artists like Pushead and Ray Pettibon when I was younger among many other people in the realm of punk. Lately my inspirations come from working with other artist and trying to learn from their techniques. Also, I’m drawn to street art and really just anything that strikes me as subversive in an overly commercialized culture.
You seem to travel quite a bit doing music, do you think that that informs your artistic process when doing illustrations?
Absolutely, just getting to see other parts of the country constantly and even other countries I get to absorb whats happening in those places with visual artists and graffiti. I’m always looking out of the van window for interesting things and when I’m on the street or at a show I’m constantly searching for something that will capture my attention.
What's a medium you absolutely loathe working in?
lately it’s digital media or computers or whatever fancy term I don’t know. I have a strong background in photography and I have spent so much time using photoshop and other editing programs. I’ve been trying to learn illustrator lately, but it just pains me to be stuck looking at a screen and not being able to physically touch whatever it is that I am working on. I have those primitive urges when it comes to creating and they are really taking over right now.
Conversely, what's the medium you're most excited about working with currently?
Pens, it’s always pens. I love drawing. It’s my total escape from reality. When I’m drawing I feel like I’m in another world, my world."
all images in the above blog used as per the permission of the artist.
We had the pleasure of working with Derek on the art for our Reflector Chorus. Derek has been fun to work with. He is always up for a challenge and has some very impressive chops. He also does not seem afraid of the weird. Which is good, because we're a little weird. He was kind enough to come back and collaborate with us again and produced an excellent custom shirt design for us. Below you'll find more of a brief interview and photos of Derek's work, his daily realm, and his fantastic cat.
Seth: You live in the Pacific North West. Do you think your environment informs your work? If it does, then what's the origin of that inspiration? Do you think your environment informs your work?
Derek: My work is certainly inspired by the Pacific Northwest. As far as fine art goes I paint a lot of nautical themed work which is in part inspired by the Salish Sea which surrounds us all out here in Western Washington and the history behind the region. Reaching just a little further, out to the Washington's coast is the Graveyard Of The Pacific, which includes the coast from down into Oregon up into to the top of Vancouver Island. Very treacherous waters, more than 2,000 vessels have been lost in the area. Actually this kind of shipwreck theme has also spilled over into my design work, most notably Squalor Harbor Co, a clothing and accessories project a friend and I embarked on. I was responsible for all the branding and design. I've also painted some pieces that are more focused on the forest and the mountains that surround me out here. Nature as well as history are huge inspirations for me.
Seth: What's the medium you currently like to work with most?
Derek: I was trained in oils and enjoyed them for a while but ultimately got tired of the smell and headache that came with it. Now my fine art and illustration I work mostly with watercolor and gouache. On occasion I throw in some ink or gold leaf if the piece calls for it. As for my design I try to do as much work outside of the computer as possible, I guess you could call it "analog." For that I use pencil, pen, ink, and sometimes watercolor or gouache.
Seth: What do you think the longest you gone without talking to another human being is?
Derek: That's hard to say. I live inside my head so much I often forget if I've said something out loud to a person, just rehearsed it in my head, or just said it to one of the cats. If I had to guess I would say three to four days. Someday I would like to go on some long trips into nature and see how long I can go without human communication. It probably won't end well.
all images in the above blog used as per the permission of the artist.
i never liked being around crowds. feels alarming and chaotic and not very fun. so black friday is a great day to sleep in if i have the luxury. and i do. but for OBNE, it seems impossible to escape the hullaballoo. so we realized that we needed to be a part of this. you have presents you want to buy? money you want to spend? well, we are a company making a product and it takes money for us to do that. so, it feels appropriate to compete for your spending dollars. your buying boners, as one Fox news analyst pitched. buy from us.
but maybe that's not enough. so we wanted to sweeten the deal. seems a bit cutthroat to slash our prices on our website, but not allow all of the shops across the world to do the same. so we don't. but, we have tried to come up with some interesting and unique things that you can only get from oldbloodnoise.com.
we collaborated with four unique artists to get their interpretation of what an Old Blood shirt should look like. Ross Adams, Ed Gruber, Derek Nobbs and Sophie Rady. some local, some not, some international. we've got some blog posts on them and their process coming up soon too. i believe there are 30 of each shirt in different sizes. all white, with some different ink on each. only on black friday (weekend plus that cyber monday goodness).
we got some coffee mugs made. old blood noise coffee mugs. official. we got a modest run of these and will probably change the design once we reorder, if we ever need to. they hold 15 ounces, so you can also pour a beer in there, which we have been doing in the afternoons. we will have these for sale, but will also be shipping a free coffee mug with each pedal order from 11/27 to 11/30. that's pretty cool, right? no. okay. here's a little more.
we got a big old bundle of cassette tapes on eBay. while supplies last, we will be throwing in a random cassette tape with each order from 11/27 to 11/30. artists include Dire Straits, Melissa Ethridge, Eddie Money, Great White, Phil Collins, David Bowie and much, much more.
we have a new pedal. we will have the presale start on 11/27. and we hope to have it shipping fairly quickly. its kind of magical. there are some video things in the works.
It's fun to experiment. I think it's important to do so, to try and approach an existing project from a different vantage point and see what comes of it. So that's what we did, we powder coated 20 enclosures in 4 batches of colors, then we (Timothy Elliott* came by and lent his expertise) printed each one with its own unique ink color. It was messy. and a lot of fun.
and its also our slowest month. which is fine. we try and plan on that. it allows us the opportunity to slow down and look at what's going on with the company. and our lives. i just got back from 6 months of off and on touring and traveling. which feels crazy. we have five guys in and out of the shop most days. which feels crazy. we released four pedals over the last year and two months. which feels crazy. we need to release more and figure out what's going on with NAMM and how to be a real business and keep doing what we are doing without becoming a soulless JCrew version of a pedal company. which is crazy. because i guess JCrew-ish pedal companies make the big money. and have the most hoops to jump through. and operate at the whim of investors and owners who lost touch with their humanity long ago. that's all conjecture. subjective and pointless to put into print. but here it is. in print.
let's talk about the new guys a little bit. we've got brent hodge. he's a drummer and good friend of kilyn. so he's part of the team. he does some drilling, some building, some screenprinting and some drumming. and he's left handed. he's a good one.
we've got dan pecachek. pronounced "pa-yah-check". singer, guitar player, shortest hair in the obne team. he does some inventory stuff, some arts and craft stuff and generally helping us keep track of important things stuff. dan's the brightness to our darkness and malaise. he's a good one.
let's talk about seth for a minute. while i was gone running my butt into the ground, seth went to the Deli Stompbox Exhibit at Main Drag Music in New York City. like a big city man. and a little background: personally, not a fan of conferences, exhibitions, trade shows, etc. so when seth goes to one and kills it, im pretty stoked. so you can now get our pedals at Main Drag Music too. which is cool. David and the staff there are rad. so go check it out.
got some stuff in the works. a couple of new video series to release. "sweet spot" which is more of a run and gun looper performance series. trying not to put too much thought into the location and the song, but rather focus on a guerilla shooting and playing style. and "no master, go faster". an interview based series with people that we think have done awesome things and have possibly overcome a pile of situational and human turds to make it happen. first episode with our buddy jack should be up later this week. we will also be rounding out some here:hear episodes with the reflector as the primary. oh and the usual coffee & riffs. got some good coffee and players lined up for those. its video shooting season. so let's get to it.
as for a new pedal. got some ideas bouncing around. not sure what it should be next. is it time for a distortion? an overdrive? a tremolo? how do you make those things cool or unique at this point? big questions that we will be sitting around many tables late at night with multiple empty glasses asking each other.
i love candy corn. as much as i hate myself for loving it, i love it.
Main Drag music in Brooklyn hosted once again the Deli Magazine Stompbox Expo and this was our first year to attend. Expecting to potentially not know anyone, I was pleasantly surprised when I walked in and found Brian from smallsound/bigsound graciously setting up our board next to Adrienne of Red Panda. We all said in almost unison "hey, I didn't know you were going to be here" Soon thereafter and throughout the weekend I had the fortune of meeting and getting to know several of the other manufacturers in attendance. I feel like we (OBNE) came into existence during an interesting time of this industry. Lots of cool stuff is happening in the effects industry, it's really interesting to see how things are progressing and the directions companies are heading. All in all, a wonderful trip. I made new friendships, got to foster some existing ones, and got to interact face to face with people who, though totally uninvested what we're doing, were interested in this weird ride we are currently on. Brian from ss/bs and had I the opportunity to visit the Critter and Guitari office in Bushwick, that was fun and inspiring. I also stayed in an Airbnb in Prospect Heights with some gracious and interesting hosts. That was very charming. Oklahoma just doesn't have the architectural history and indications of early infrastructure that New York does (obviously), and it's so interesting to see some remnants of that stuff first hand. See you at Main Drag next summer for the next Stompbox Expo.
I started a blog post back in June titled "something for everyone," in which I felt the need to explore and justify the weirdness of some of our pedals and most recently (fresh on my mind) the quirkiness of the Reflector Chorus Noisemaker. I quickly ran out of steam. The anxiety of whether or not people will like or "get" what we are aiming for with our pedals dissipated and reformed in the shape of obstination. I challenge you to like it. I dare you to even try it. See if you can wrangle it in to make weird and pleasant noises. Maybe it's just for us. And that'd be fine too.
Reflectors are shipping now. So, hopefully you start seeing and hearing them around. We are going out to the country plains of Oklahoma to shoot a technical video tonight. Dogs, horses, noises and a sunset. Sounds like a real treat.
This summer has been busy. And I'm sure everyone everywhere is busy too. It seems to take a lot of energy to get anything going, so such is the case here. Traveling a lot. Watching babies and kids grow up. Dreaming about playing more music, but never quite getting there. Needing to write articles. Needing to write screenplays. Thinking through what's next for OBNE. What do people want. What do we want.
We've got some ideas for a couple of new video series. Already shot one episode with Jack Deville of Mr. Black. Learned a lot. About pedals, business and life. And love. We love that man. Also played and loved his new pedal, the Shepard's End Infinite Flanger.
So let's see what happens next.
So, for those of you searching the deep web, here is some info. Something new we've been working on. We love She Shreds Magazine. We met Fabi Reyna, the Founder and Editor in Chief a couple of years ago. And she's rad. She has a great vision for presenting female musicianship through an incredible publication and increasing the awareness of the musical scene she loves and is an active part of. All things we believe in.
It makes sense, then, to partner in a monthlong giveaway hosted by She Shreds comprised of all of our pedals, one pedal a week, including the new Reflector chorus, in a color scheme of Fabi's choosing, which intentionally matches the latest volume of She Shreds. That was a long sentence. But I'm keeping it.
Check out She Shreds Mag Instagram for details. They're in control here.
Also, since we make videos and like making videos, we are making some videos. Featuring some local female musicians talking about their writing process, pedals they love and their dream band scenario. We started with Sarah Reid, somber sound making violin dream virtuoso. Check it here.
We love pedals. We love beer. We love giving things away. And it looks like Coop does too.
Coop Ale Works is one of our favorite (among our many favorite) Oklahoma Craft Beer Breweries and we want people to know about them, and the people who already know about them but don't know about us, well we want them to be aware of us as well. Though they can't giveaway beer (as it is illegal to ship beer via USPS, UPS, and FedEx), they can give you some nice Coop glassware, T Shirts, Stickers and Koozies. On top of that we're giving away a Procession Reverb. All one has to do to participate in the giveaway is: on the social media platform of your choosing, Share the image, and Follow / Tag @coopaleworks & @oldbloodnoise. That's it. Easy as that.
Check out coopaleworks.com to find out where you can enjoy their hand-crafted brews and learn about all the terrific beers they offer.
Here's the fine print: No purchase necessary. Contest will run 12:00am 6/26/15—11:59pm 6/29/15. Winner will be announced 7/2/15. Participant must do the following to be participate in the contest: Share Image on Twitter, Instagram, or Facebook. Follow Old Blood Noise Endeavors, Follow Coop Ale Works. Tag Old Blood Noise Endeavors, Tag Coop Ale Works. If all criteria are not met, the entry is considered null and void. Only one entry per participant will be recognized.